LALKA NOVA: lista prelegentów

13 października 2021

Rada Naukowa Konferencji LALKA NOVA w składzie: dr Anna Ivanova, dr Ida Hledíková, dr hab. Ewelina Ciszewska - dziekanka Wydziału Lalkarskiego AST oraz prof. dr hab. Mirosław Kocur na posiedzeniu w dniu 12. października 2021, po zapoznaniu się z 22 nadesłanymi abstraktami postanowiła zaprosić do udziału w Konferencji 14 prelegentów:

  1. Marzenna Wiśniewska, Department of Culture Studies, Nicolaus Copernicus University, Toruń, Poland, Title: A “Women’s Turn”: New Lenses to Puppetry
  2. Nataliia Shapovalova, Kharkiv I. P. Kotlyarevsky National University of Arts Title: The monologue with a puppet as an important phase in professional education of a modern animation theater actor
  3. Mareike Gaubitz, Deutsches Forum für Figurentheater und Puppenspielkunst e.V., Germany, Title: Puppets 4.0 - Museum without walls. Exhibiting the non-exhibitable
  4. Agata Drwięga, The Adam Mickiewicz Univeristy in Poznań, Poland Title: Animals - new old characters on the stage of puppet theatre
  5. Jessica Hölzl, Institut für Theaterwissenschaft, Universität Leipzig Title: NEW PUPPET - Body of the Puppet – Body as a Puppet
  6.  Natalia Sakowicz, The Aleksander Zelwerowicz Theater Academy in Warsaw, Branch in Białystok, Poland, Title: Touch me, I want to feel your body
  7.  Michał Jarmoszuk, The Aleksander Zelwerowicz Theater Academy in Warsaw, Branch in Białystok, Poland, Title: Vraj (V-paRadise) 
  8. Karol Suszczyński, The Aleksander Zelwerowicz Theater Academy in Warsaw, Branch in Białystok, Poland, Title: Development through balance
  9. Juraj Bako, PhD. student at the Academy of Performing Arts, Bratislava, Slovakia, Title: Puppet Augmeted: Using 3D technology in a puppetry practice
  10. Sofie Neu, Puppentheater Magdeburg, Title: Quintland, the human zoo: The objectification of exposed human bodies and the theatrical practice of personalizing objects
  11. Aleksandra Pejcz, National Academy of Theatre Arts in Krakow, Branch in Wrocław, Poland, Title: The contemporary potential of classical techniques of puppet theater on the example of students’ work within the subject of “Hand Puppet Acting"
  12. Patrycja Terciak, Pinokio Theater in Łódź, Poland, Title: Memory trace as animant
  13. Katarzyna Hora,  National Academy of Theatre Arts in Krakow, Branch in Wrocław, Poland Title: New space for puppetry in immersive theatre.
  14. Rosario Perricone, University of Palermo, Palermo's Academy of Fine Arts / Associazione per la conservazione delle tradizioni popolari-Museo internazionale delle marionette Antonio Pasqualino, Title: Cyber pupos

Serdecznie dziękujemy za wszystkie nadesłane propozycje!